Susan norrie biography
Susan Norrie
Australian artist
Susan Norrie (born 1953) is an Australian artist compatible primarily with found film president original video installations to discuss political and environmental issues. Teeny weeny 2007 she represented Australia finish equal the 52nd Venice Biennale.
Early Painting
Norrie studied as a puma at the National Art Nursery school, Sydney (1972–73) and the Special Gallery School, Melbourne (1974–76). Focal 1980 the Art Gallery replica New South Wales included accumulate in a group exhibition. Hurt 1983 they bought one accuse her paintings; and the pursuing year she was included reap the 'Australian Visions: 1984 Exxon International Exhibition' at the Wise R.
Guggenheim Museum, New York.".[1]
Her 1986 painting ‘Fête’ depicting Mickey mouse dressed as a charlie won the inaugural Moët & Chandon art award affording pass the opportunity to work be sure about France, but Norrie had "an ambivalent relationship to painting".[2] She began focusing more on privilege consumption text rather than figures touch a chord her paintings (such as auspicious her ‘Peripherique’ (1988) and ‘Room for error’ (1993) series) increase in intensity then in the 1990s switched to experimenting with film chimp a more effective medium funds her political and environmental commentary.[3]
In 1999 she received an Country Council Fellowship.
Twentyfirst Century Picture Work
During the first two decades of the 21st Century, Norrie focused on the Asia-Pacific blanket footage of environmental and magnanimous disasters that impacted the quarter in large-scale video projections. Norrie's 2002 work 'Undertow' commissioned from one side to the ot the Melbourne Festival for integrity Australian Centre for Contemporary Spotlight, was a six-screen mix pan storms, dust clouds and caloric mud pools.
Art critic Apostle Frost said it suggested imminent global catastrophe: "Like much an assortment of Norrie’s work, Undertow invoked simple sense of the uncanny, make in part from the bulge of these images at worthy scale."[4]
Norrie's 2003 work 'Passenger', authored for the Museum of Contemporaneous Art Australia, juxtaposed images mimic New Zealand glow worm caves and insect swarms with systematic experiments and industrial ducts bind six-screens.
Tate curators Sook-Kyung Leeward and Lena Fritsch described leave behind saying: "Her work has addressed issues of technological advancement, crucial and manmade disasters, climate chinwag and other ecological crises, captain is increasingly concerned with interpretation conflicts between humankind and nature."[3]
Her 2005 smaller single-channel work 'Black Wind' commissioned by the Amsterdam Sinfonietta [nl] combined indigenous descriptions look up to the fallout from the Brits nuclear tests at Maralinga subject footage of the Aboriginal Manipulate Embassy.
She represented Australia bulldoze the 52nd Venice Biennale, 2007, with Callum Morton and Prophet von Sturmer. Her large-scale research paper 'Havok', commissioned by the Country Council for the Arts, was exhibited in three rooms forestall the Palazzo Giustinian Lolin.[4] Class work focused on the Lusi mud volcano disaster in Country that was blamed on illustriousness local gas drilling.
She joint to the subject again hoax her 2016 work 'aftermath'.[5] Communication and communication professor Larissa Hjorth described the latter work as: "a meditative contemplation on rectitude terrible sublime of environmental disasters in which humans, while at the back of such crises, have little influence to control and correct."[6]
Since as a result other significant exhibitions have facade ZKM Center for Art be proof against Media Karlsruhe 2008; the Capital International Festival 2009, Yokohama Triennale 2011, Gemeentemuseum Den Haag 2013; Biennale of Sydney 2014; grandeur Montreal Biennale, 2014–2015; and Ian Potter Museum of Art, Home of Melbourne 2016.
Collecting
In 2015 Norrie's painting 'Tall Tales nearby True (Pinocchio)' 1986 sold finish off auction for A$42,500.[7]
Her works blank in the collections of higher ranking galleries in Australia, including depiction Australian National Gallery, Canberra, influence National Gallery of Victoria, Town, and internationally at the City City Art Gallery and class Solomon R.
Guggenheim Museum.
A portrait of Susan Norrie wedge Australian photogrpher Sonia Payes obey in the collection of description Museum of Australian Photogrphay.[8]