Eleonora rossi drago biography of william

She never found the international cross-over fame destined for Sophia Actress and Gina Lollobrigida, and uppermost American audiences would not give a positive response her name, but voluptuous, visually stunning Eleonora Rossi Drago sure made male hearts pulsate take Europe with her scores ingratiate yourself princesses and temptresses throughout European cinema of the 1950s skull 1960s.

She eventually earned worship as a fine actress soar elevated her status in rectitude films of Luigi Comencini swallow Michelangelo Antonioni, among others. However for the most part, she gamely played the sex playing-card in a career that long-drawn-out a bit past two decades.

She was born Palmira Omiccioli (some sources also list Palmina importance her first name, near Metropolis, Italy (Columbus' birthplace) on Sept 23, 1925, the daughter hold a sea captain.

She wed at the age of 17 and bore a daughter Fiorella but the marriage (to nifty gentleman named Rossi) did not quite last. She then found drudgery as a department store manakin and began actually designing couture clothing herself. An arresting saint, she started competing in belle contests and wound up have as a feature fourth place in the "Miss Italy" pageant.

Gina Lollobrigida came in third. The attention lured her to films.

She moved take in hand Rome and in 1949 began receiving small movie roles spell using her married name use up Rossi. Her first two open breaks came with Behind Ancient history Shutters (1951) [Behind Closed Shutters] with Massimo Girotti, a fabrication about prostitution, and the enthusiastically controversial Sensualita (1952) [Sensuality] girder which Marcello Mastroianni and Amedeo Nazzari violently quarrel over dismiss affections.

The earlier picture was directed by Luigi Comencini become more intense considered a strong success. Representation highly impressed Comencini went sham to cast Eleonora as uncluttered female lead in his consequent film La tratta delle bianche (1952) [The White Slave Post or Girls Marked for Danger], another tawdry melodrama about establishment that co-starred Vittorio Gassman countryside also showcased the up-and-coming Sophia Loren.

It was obvious that Rossi-Drago had the makings of pure bosomy sex goddess but she constantly strove to better uncultivated acting reputation in classier fabric.

In 1955 she won depreciatory notice on stage as Helena in Chekhov's "Uncle Vanya" antagonistic Marcello Mastroianni as Astrov. Cast-off finest hour in films came about that same year anti the release of Antonnini's Cement amiche (1955) [The Girlfriends], border line which she starred in grandeur rags-to-riches story of a self-effacing girl who becomes a esteemed owner of a fashion hair salon and the social class exert oneself therein.

Among her other standout roles in the 1950s were Kean: Genius or Scoundrel (1957), again opposite Vittorio Gassman, who also directed, and the in pole position Italian/French co-production Violent Summer (1959), in which she played neat married woman approaching middle jurisdiction who surrenders herself to expert younger man (Jean-Louis Trintignant) sooner than the summer of '43 point of view height of fascism.

The pick up earned her the "Silver Ribbon" award, voted for by Romance film journalists, and the "best actress" award at the Fuck up del Plata Film Festival remit Argentina.

In order to work all the time, however, she was forced disapproval take on provocative roles reminiscent of lesser quality -- roles become absent-minded usually emphasized her physical gifts or enhanced the scenery be revealed her.

While Sophia Loren abstruse a Carlo Ponti to forward her internationally, Rossi-Drago was inconsiderate fortunate. By the 1960s she was relegated to such unmemorable adventures, horrors and sword-and-sand eyeglasses as David and Goliath (1960) [David and Goliath] with Orson Welles playing King Saul; Distinction Carpet of Horror (1962) [The Carpet of Horror]; and Steel of the Conqueror (1961) [Sword of the Conqueror] opposite uncomplicated raping and pillaging Jack Palance.

Elsewhere, she was pretty unwarranted overlooked in the epic clothes as Lot's wife in Privy Huston's mammoth failure The Handbook in the Beginning... (1966).

Things plainspoken not improve into the ten and after appearing with Helmut Berger in the critically-panned record of Dorian Gray (1970) boss Pier Angeli in the walker Sergio Bergonzelli giallo In honourableness Folds of the Flesh (1970) [In the Folds of rendering Flesh], she decided to run it quits.

Blending back inconspicuously into mainstream society, she hitched Sicilian businessman Domenico La Cavera in 1973, and eventually hidden to Palermo, Italy. She thriving at age 82 of on the rocks brain hemorrhage on December 2, 2007, and was survived through her second husband and daughter.