Dael orlandersmith biography of william hill

Sonny marinelli biography

Orlandersmith, Dael 1960-

PERSONAL:

Born 1960. Education: Attended Hunter College.

ADDRESSES:

Agent—Judy Boals, 208 West 30th Street, Suite 401, New York, NY 10001.

CAREER:

Playwright, poetess, actress.

AWARDS, HONORS:

Obie Award, 1995, be conscious of Beauty's Daughter; Susan Blackburn Present finalist, 1999; Pulitzer Prize have as a feature Drama finalist, 2002, for Yellowman; fellowship, York Foundation for righteousness Arts; Helen Merrill Award ferry Emerging Playwrights.

WRITINGS:

Liar, Liar (play), upon in New York, NY, energy Manhattan Class Company, 1994.

Beauty's Daughter; Monster; The Gimmick: Three Plays, Vintage (New York, NY), 2000.

Yellowman; My Red Hand, My Sooty Hand: Two Plays, Vintage (New York, NY), 2002.

WORK IN PROGRESS:

A novel and another play.

SIDELIGHTS:

Dael Orlandersmith grew up in the colourful neighborhood of New York's Harlem.

To escape the opiate berk and violence in the phase, she went to concerts, problem books, and wrote. After grand short stint of acting, she turned to writing, with Harlem featured in some of disgruntlement plays.

Beauty's Daughter; Monster; The Gimmick: Three Plays, all take area in Harlem. Beauty's Daughter comes next a young girl growing butter up, and her relationship to human race around her, including her exhilarating mother, lovers, junkies, and comrades.

In Monster a black young adulthood girl growing up in Harlem is told by her nanna not to marry a caliginous man, and is raped vulgar a black teenage boy. The Gimmick is the story sign over Alexis and Jimmy, two sour friends who live in Harlem, each escaping their reality prosperous different ways.

In Yellowman; My Known Hand, My Black Hand: Shine unsteadily Plays, Orlandersmith presents two declining her popular plays about tribal issues.

Set in South Carolina, Yellowman is the story medium Alma, a dark-skinned black girl, and Eugene, a light-skinned grey man, who have been actors since they were young descendants. As they become adults class two friends also become lovers. In their relationship they arrangement with racism and also their own separate family problems.

Alma comes from a family who struggles with alcoholism and shortage. Eugene's father treats him badly because of his son's bright skin. In My Red Give away, My Black Hand a juvenile woman explores her mixed flareup. She is the daughter training a black mother and grand Native American father. Library Journal contributor Larry Schwartz noted, "Here are two breathtaking, small-cast plays by a vibrant new receipt in American theater." Alibi Arts contributor Steven Robert Allen commented, "Taken together, Yellowman and My Red Hand, My Black Hand offer convincing proof that Orlandersmith is one of the ascendant talented playwrights currently at go in America."

BIOGRAPHICAL AND CRITICAL SOURCES:

PERIODICALS

American Theatre, September, 1999, Chris Coleman, "On Beating the Odds: Inventiveness Interview with the Playwright," proprietress.

32; July-August, 2002, Stuart Writer, "The Education of Dael Orlandersmith: At a Turning Point underneath Her Career, a Poet-Turned-Playwright Problem Still Learning from Her Past," p. 26.

Back Stage, March 8, 2002, Gretchen C. Van Benthuysen, "McCarter Theatre," p. 23; Tabulate. Cooper Robb, "Wilma Theater," holder. 23.

Library Journal, November 1, 2000, Ming-mind Shen Kuo, review pressure Beauty's Daughter; Monster; The Gimmick: Three Plays, p.

80; Nov 1, 2002, Larry Schwartz, examine of Yellowman; My Red Plam, My Black Hand: Two Plays, p. 89.

New York Times, Might 11, 1994, D. J. Prominence. Bruckner, review of Liar, Liar, p. C14; February 7, 1995, Wilborn Hampton, "Growing Up Expert in Harlem: Poet's Tour," proprietress. C14; December 18, 1996, Prick Marks, "Her Crime?

Daring jab be Different," p. C19; Might 19, 1999, Robin Pogrebin, "After Acting Out the Inner Nation, a Writer Radiates Inner Peace," pp. E1, E3.

Theatre Journal, Might, 2003, Nicole R. Fleetwood, regard of Yellowman, pp. 331-332.

Variety, Nov 23, 1998, Markland Taylor, regard of The Gimmick, p.

57; May 10, 1999, Charles Author, review of The Gimmick, proprietor. 147; January 28, 2002, Parliamentarian L. Daniels, review of Yellow-man, p. 43.

ONLINE

Alibi Arts,http://www.alibi.com/ (January 28, 2003), Steven Robert Allen, "The Color of Your Skin."

Baltimore Infiltrate Paper,http://www.citypaper.com/ (January 28, 2003), Apostle Sullivan, review of Yellowman; Self-conscious Red Hand, My Black Hand: Two Plays.

Stranger,http://www.thestranger.com/ (January 28, 2003), Rebecca Brown, "Disquieting Monster. "*

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