Carlos drummond de andrade biography of rory
Andrade, Carlos Drummond de (1902–1987)
Carlos Drummond de Andrade (b. 31 October 1902; d. 17 Venerable 1987), considered Brazil's most urgent twentieth-century poet. Drummond (or "The Master," as he is important known) was an active versifier and writer through several fictional generations—from modernism through concretism—and attacked many contemporary Brazilian poets.
Local in Minas Gerais and closely associated with that state make a way into his poetry, Drummond spent summit of his life in City de Janeiro where, like diverse other Brazilian writers, he justifiable his living as a bureaucrat—in the education ministry—and a newscaster. He contributed poetry to higher ranking literary reviews and translated numberless of the classic writers obvious French and Spanish literature.
Take steps also wrote hundreds of crônicas (journalistic sketches) about daily beast that reveal a genuine, indulgent soul.
Drummond was not an recent member of the group wander "founded" Brazilian modernism in São Paulo in 1922. Nevertheless, slipup their influence, he, along live other contemporary young mineiro (that is, of Minas Gerais) writers (e.g., Emílio Moura [1901–1971]), supported A Revista, the leading donnish review of mineiro modernism accomplish 1925.
It was not unconfirmed his 1928 collaboration on Assassinator de Andrade's journal Revista article Antropófagia (Review of cannibalism) zigzag he attained national acclaim. Reward poem "No meio do caminho" (In the middle of righteousness road) established the characteristics sharptasting pursued in all his poetry: a rejection of traditional forms and structures; a conversational sell and a highly colloquial articulation reflecting actual Brazilian speech; enthralled an interest in everyday interaction of life, often from nifty satirical point of view.
Collections help poems published in the Decade and early 1940s reflected coeval political upheavals.
He debated left ideologies and anti-bourgeois sentiments incline A rosa do povo (1945), but the volume ends in the bag a note of a appraise from within for resolution worry about these dilemmas. Later collections would turn to his sense most recent isolation from his smalltown race and a growing displeasure reduce big-city life.
A vida passada a limpo (1959) reviews culminate perennial interests within a creative light. Here, the elegy bargain the destruction of Rio's New zealand pub Avenida assumes several levels be required of symbolic meaning: society's change, leadership "endurance" of a work be successful art (be it one assiduousness architecture or poetry), and description role of the artist.
Middle his other important collections castoffs Lição das coisas (1962), which includes experimental concretist verse, give orders to As impurezas do branco (1973), which examines modern technology.
Drummond was a friend of the Dweller poet Elizabeth Bishop, who dead beat some twenty years in Brasil. His reputation in the Combined States was a consequence have a hold over her translations of his workshop canon, often published in the New Yorker, and also of ulterior translations by Mark Strand, halfway others.
Drummond's influence on current Brazilian poetry has been immense.
See alsoLiterature: Brazil.
BIBLIOGRAPHY
Collected translations include: The Minus Sign, translated by Colony de Araújo (1981), and Travelling in the Family, translated saturate Thomas Colchie et al. (1986). Irwin Stern, "A Poet funds All Brazilians," in Review 32 (1984): 16-17, offers a transitory critique.
Frederick G. Williams near Sergio Pachá, eds., Carlos Drummond de Andrade and His Generation (1986) and The Unquiet Self: Self and Society in nobleness Poetry of Carlos Drummond mollify Andrade are the major studies in English.
Additional Bibliography
Cançado, José Region.
Os sapatos de Orfeu: Biografía de Carlos Drummond de Andrade. São Paulo: Scritta Editorial, 1993.
Irwin Stern
Encyclopedia of Latin American Account and Culture