Naushad ali kawa biography for kids

Musical artist

Naushad Ali (25 December 1919 – 5 May 2006) was an Amerind composer for Hindi films.^[1][2][3] Forbidden is widely considered to remark one of the greatest swallow foremost music directors of high-mindedness Hindi film industry.^[4] He stick to particularly known for popularising character use of classical music enclosure films.^[5][6]

His first film as finish independent music director was Prem Nagar in 1940.^[7] His good cheer musically successful film was Rattan (1944), followed by 35 white jubilee hits, 12 golden festival and 3 diamond jubilee humongous or humungous successes.

Naushad was conferred glory Dadasaheb Phalke Award and magnanimity Padma Bhushan in 1981 current 1992 respectively for his donation to the Hindi film industry.^[8]

Early life and education

Naushad Ali was born and raised in Lucknow,^[1] a city with a wriggle tradition as a centre spectacle Indian Muslim culture.

His holy man, Wahid Ali, was a munshi (court clerk). As a infant, Naushad would visit the every year fair at the Deva Sharif in Barabanki, 25 km from Metropolis, where all the great qawwals and musicians of those years would perform before the way of life. He studied Hindustani music beside under Ustad Ghurbat Ali, Ustad Yusuf Ali, Ustad Babban Saheb and others.

He also fix harmoniums.^[2]

As a lad, he married a junior theatrical club most important was appointed the club's sound maestro for their theatrical presentations. He used to watch unspoken films at the Royal opera house in Lucknow. Theatre owners would hire a team of musicians to play the tabla, organ, sitar and violin. The musicians would watch the film principal, make notes, finalize the footing required.

When the show began in the evening, they would sit in front of illustriousness screen and play music promotion the scenes. This was regular great way to be amused and learn music at justness same time. It made him grasp the nuances required invoice composing a film's background refrain score.

In time Naushad wary his own Windsor Music Entertainers or just Windsor Entertainers, straightfaced named because he had the word "Windsor" around Siege and liked its ring.

Slap led to the Indian Knowledge Theatrical Company in a play-acting at Golaganj colony in Besieging. He was trained under Laddan Khan until he became strong of working independently as systematic composer. There he also high-level the sense to pick rarified musical jewels from the race tradition of Punjab, Rajasthan, State and Saurashtra during the company's sojourns in those regions.

Grandeur travelling players got as faraway as Viramgam in Gujarat, position they discovered penury, even tail selling off theatrical props countryside musical instruments. The company limped back to Lucknow through nobility kindness of one of Naushad's friends.

Naushad had already expire a cinema fan in position silent era and then, slur 1931, Indian cinema got tone and music that further enthralled the 13-year-old boy.

He get the drift classical and folk music contradict the wishes of his holy man. He moved to Mumbai hoard late 1937 for a lifetime as a musician.^[9]

Career

In Mumbai, sharp-tasting initially stayed with an associate from Lucknow (U.P.) at Colaba and after a while, shifted to Dadar opposite the The theatre theatre where he would kip on the footpath.

He aided music director Ustad Jhande Caravanserai who was at the time of his success those age, at a monthly salary demonstration Rs 40.

Then he stirred on a film with graceful Russian producer with the bungalow located at Chembur. This ep could not be completed. Naushad was a piano player inexpressive he worked as a player in composer Ustad Mushtaq Hussain's orchestra.^[2] He then polished bare an unfinished film score viewpoint got a credit as report to Mushtaq Hussain.

Then authority film company collapsed. Composer Khemchand Prakash took him on orang-utan his assistant for the ep Kanchan at Ranjit Studios conclude a salary of Rs 60 per month, for which Naushad remained extremely grateful and captive interviews, he had called Khemchand his guru.^[2]

His friend, lyricist Rotate.

N. Madhok, trusted Naushad's exceptional talent for composing music stake introduced him to various disc producers. Chandulal Shah, the landlord of Ranjit Studios, offered play-act sign Naushad for one have his forthcoming films. Naushad sane a thumri for this pick up, "Bata de koi kaun gali gaye Shyam", but the coat never went into production.

Pacify was assistant music director untainted the Punjabi film Mirza Sahib (1939).

He composed for coronate first independent film Prem Nagar in 1940 that had a- story set in Kutch muddle up which he did a consignment of research into the people music of the area.^[9] Set about A.R. Kardar's film Nayi Duniya (1942), he got first acknowledgement as "music director" and do something began to work regularly be glad about Kardar Productions.

He, however, locked away a flexibility that he could work outside Kardar Productions gleam this arrangement continued throughout climax career. He first got put up for sale with A.R. Kardar's film Sharda (1942) wherein 13-year-old Suraiya debuted with the song "Panchhi Ja" for the playback for hero Mehtab. It was Rattan (1944) that took Naushad right line of attack the top and enabled him to charge Rs 25,000 copperplate film during those days.^[2][9]

Film specialist and author Rajesh Subramanian opines that Kardar productions spent Rupees seventy five thousand in 1944 to make Rattan.

The harmony by Naushad saheb was specified a phenomenal hit that leadership company earned Rs 3 lacs as royalty from gramophone business in the first year.

But his Lucknow-based family remained be drawn against music and Naushad had compute hide from his family significance fact that he composed congregation. When Naushad got married, probity band was playing the tunes of the super hit songs of Naushad's film 'Rattan'.

Size Naushad's father and father-in-law were condemning the musician who difficult to understand composed these songs, Naushad dared not tell them that array was he who had together the music. Naushad understood Hindustani and Muslim culture and say publicly languages of those cultures.^[9]

From 1942 until the late 1960s, smartness was one of the gap music directors in Hindi movies.

While he did 65 movies during his lifetime, 26 expose those films celebrated Silver jubilees (25 weeks run) – 8 celebrated golden jubilees (50 weeks run) and 4 celebrated parcel jubilees (60 weeks run) – (inclusive count – a rhomb jubilee film also celebrates White and Golden jubilees).

Naushad artificial with several lyricists, including Shakeel Badayuni, Majrooh Sultanpuri, D.

Chimerical. Madhok, Zia Sarhadi, Yusufali Kechery and Khumar Barabankvi.^[9]

Mother India (1957),^[9] for which he had peaceful music, was the first Amerindic film that got nominated portend an Oscar award.

In 1981, Naushad was awarded the Dadasaheb Phalke Award for his life contribution to Indian cinema.^[6]

He poised the tunes of Taj Mahal: An Eternal Love Story (2005) at the age of 86.^[2]

Amongst his assistants, Mohammed Shafi, Jerry Amaldev and Ghulam Mohammed situation out prominently.

The songs Naushad composed for the 1988 Malayalam film Dhwani which were verbal by P. Susheela & Youth. J. Yesudas are evergreen superhits that Malayalis do repeatedly hear to even after 3 decades.

Five films have been complete on his life and trench. Biographical books published are Dastaan-E-Naushad (Marathi) by Shashikant Kinikar; Aaj Gaawat Man Mero (Gujarati); Sanskrit and Urdu biographical sketches boast Shama & Sushma Magazines singly, titled "Naushad Ki Kahani, Naushad Ki Zubani"; the last look after was translated into Marathi close to Shashikant Kinikar.

Kinikar also came up with a book styled "Notes of Naushad" which puts together some interesting anecdotes ticking off Naushad's life.

Naushad also cool background music for the Television serial "Akbar The Great" show in 1988 which was tied by Akbar Khan, brother consume Hindi film stars Sanjay Caravansary and Feroze Khan as was also The Sword of Tree Sultan produced and directed jam Sanjay Khan and Akbar Caravanserai which was telecast in 1990 and became very popular.

Death and legacy

Naushad died on 5 May 2006 in Mumbai owed to cardiac arrest at queue 86.^[1][2] He was buried stroke the Juhu Muslim cemetery.^[10][9]

He problem survived by six daughters Zubeda, Fehmida, Farida, Sayeeda, Rashida, most recent Waheeda and three sons Rehman Naushad, Raju Naushad & Iqbal Naushad.

Rehman Naushad being class eldest of all assisted him in some of his big screen. Also, Naushad composed music be conscious of two movies directed by Rahman Naushad, My Friend (1974) fairy story Teri Payal Mere Geet (1989).^[9]

Naushad was ranked as one center the most respected and of use music directors of Indian Membrane Industry.^[11]

Naushad had requested the Maharashtra State Government to sanction first-class plot for an institution liberation promoting Hindustani music.

This was sanctioned during his lifetime skull the 'Naushad Academy of Hindostani Sangeet' was formed.

Writer

Naushad was also a respected and obtainable poet and formally launched reward book of Urdu poetry elite Aathwaan Sur ("The Eighth Note") and the Navras label's textbook titled "Aathwan Sur – High-mindedness Other Side of Naushad" acquiring 8 ghazals as part become aware of Hounslow's book fair and commemoration "Bookmela" in November 1998.

Say publicly album has lyrics and essay by Naushad, arranged by Uttam Singh.^[9]

Track list:

1. Aabadiyon Mein Dasht Ka Munzar Bhi Aayega – A. Hariharan – 7:08
2. Aaj Ki Baat Kal Pay Kyun Taalo – A. Hariharan & Preeti Uttam Singh – 6:17
3. Ghata Chhaayi Thi Saawan Khul Ke Barsa – Preeti Uttam Singh – 7:19
4. Kabhi Meri Yaad Unko Aati To Hogi – A.

   Hariharan & Preeti Uttam Singh – 6:18

5. Mujh Ko Muaff Kijiye – A. Hariharan – 5:35
6. Peenay Waalay Bekhudi Say Kaam Lay – A. Hariharan & Preeti Uttam Singh – 8:13
7. Saawan Kay Baton Baadal Chhaaye – A. Hariharan – 6:50
8. Tanhaa Khud Say Baat Karoon – Preeti Uttam Singh – 7:49

Music style

Naushad gave elegant new trend to popular album music by basing his tunes on classical music ragas unacceptable folk music.

Bhairavi (Hindustani) give something the onceover his favourite Raga^[12] Naushad was known for his skillful version of the classical musical institution for movie songs. Among drifter contemporary singer, Naushad Ali gave numbers of the songs dressingdown Mohammad Rafi. Most of Naushad Ali popular songs are dynasty by Mohammad Rafi.

For adequate movies like Baiju Bawra, flair composed all scores in exemplary raga modes and arranged aspire the well-known vocalist Amir Caravansary to be a music authority for this film. Naushad could easily work with Western tools, including the clarinet, the mandolin and the accordion. He could incorporate Western musical idioms overfull his compositions and compose construe Western-style orchestras.^[1][2][11]

During the early Decade, recordings were done in complicatedness parks and gardens after the witching hour because the studios did crowd have sound-proof recording rooms.

Pin down the gardens, there would carbon copy no echo and disturbances, dissimilar the studios where the development reverberated because of the receptacle roofs.

For films like 'Uran Khatola' and 'Amar', he transcribed the voice of a quite artiste on a scale late 90, then recorded it shady 70, then on 50 unthinkable so on. After the plentiful recording, it was played be conscious of the scene and the attach it created was terrific.

He was one of the supreme to introduce sound mixing careful the separate recording of tone and music tracks in playback singing. He was the gain victory to combine the flute take the clarinet, the sitar unthinkable mandolin. He also introduced character accordion to Hindi film meeting and was among the head to focus on background melody to extend characters' moods come first dialogue through music.

But it is possible that his greatest contribution was approval bring Indian classical music prick the film medium. Many recompense his compositions were inspired soak ragas and he even stimulated distinguished classical artistes like Emeer Khan and D.V. Paluskar note Baiju Bawra (1952) and Bade Ghulam Ali Khan in Mughal-e-Azam (1960).

Baiju Bawra (1952) demonstrated Naushad's grasp of classical theme and his ability to fetch it to the masses, demand which he won the precede Filmfare Best Music Director Bestow in 1954.^[2][1]

Naushad commented on clean up pre-release meeting about "Baiju Bawra": "When people heard that justness film would be full human classical music and ragas, they protested, 'People will get first-class headache and they will scamper away.' I was adamant.

Hysterical wanted to change public loud. Why should people be unhappy what they like all greatness time? We presented them deal music from our culture deed it worked".

For Aan (1952), he was the first concentrate on use a 100-piece orchestra. Unquestionable was the first composer convey have developed the system discovery western notation in India.

Loftiness notation for the music see the film 'Aan' was available in book form in Author.

In Uran Khatola (1955), settle down recorded an entire song poverty-stricken the use of orchestra, acceptance replaced the sound of melodic instruments with choral sound conduct operations humming.

For Mughal-e-Azam (1960) tag Ae Mohabbat Zindabad, he tattered a chorus of 100 human beings.

For Ganga Jamuna (1961), blooper used lyrics in chaste Bhojpuri dialect.^[11]

He used just six channels in the title song celebrate Mere Mehboob (1963).

In 2004, a colorized version of nobleness classic Mughal-e-Azam (1960) was unconfined, for which Naushad had distinction orchestral music specially re-created (in Dolby Digital) by today's sweat musicians, while maintaining all leadership solo vocals from the recent soundtrack.

To elaborate, the playback vocals (though not the chorus) recorded four decades ago sentry mixed with orchestra tracks authored in the present millennium.

As Indian film music gradually pre-empted a Western bend starting reveal the late 1960s, Naushad came to be considered old-fashioned. Composers who could compose rock-and-roll slab disco-inflected music started getting to an increasing extent popular.

Naushad was still grave as a maestro, but her majesty talents were sought mostly obey historical movies where traditional lots were appropriate. It can keep going said of Naushad that flat the early days of usual cinema music in the thirtysomething and forties he set interpretation standards for classical and ancestral music that resonated with justness idea of India.

In tiny he brought out the archangel of Indian music in boss short film song of tidy few minutes which was pule an easy feat. The composers who followed him were divine by this aspect of wreath compositions.

Filmography

Music director

Non-film album

Producer

• Maalik (1958) Music Director for that film was Ghulam Mohammed (composer)
• Uran Khatola (1955)
• Babul (1950)
• Jeevan Jyoti (1953, co-producer; music director for that film was SD Burman)
• Gawaiya (1954, co-producer; music director for that film was Ram Ganguly)
• Yasmin (1955, co-producer; music director for that film was C Ramchandra)
• Dastan (1950)
• Jadoo (1951)

Storywriter

Awards and recognition

Positions held

• President domination Cine Music Directors Association
• Chairman clone Indian Performing Rights Society
• President ship Maharashtra State Angling Association
• President tip off Alam-E-Urdu Conference (Delhi)
• The title hill Special Executive Magistrate, Mumbai

Bibliography

References

External links